Alice Miceli (b. 1980, Rio de Janeiro, Brazil) lives and works in Rio de Janeiro, Brazil. She initiates her methodology with investigative trips and historical research, through which she retraces cultural and physical vestiges of past traumas inflicted on social and natural landscapes. The material gathered from the field trips and the research takes the form of still photographs and videos. Her selected solo exhibitions include 88 from 14,000, Max Protetch Gallery, New York, USA (2011); Em profundidade (campos-minados), Instituto PIPA, Rio de Janeiro, Brazil (2019); Projeto Chernobyl, The Americas Society / Council of the Americas (AS/COA), New York, USA (2019) and Em profundidade (campos-minados) – Angola e Bosnia, at the Escola das Artes, Universidade Católica, Porto, Portugal (2022). Group exhibitions include Bienal Sur, MAAC, Guayaquil, Ecuador (2019); Marcantonio Vilaca Prize, MuBE, São Paulo, Brazil (2017); The Materiality of the Invisible, Jan van Eyck Academie, Maastricht, The Netherlands (2017); 5th Moscow International Biennale for Young Art, Moscow, Russia (2016); Basta! Shiva Gallery at John Jay College of Criminal Justice, CUNY, New York, USA (2016); Intersections (after Lautréamont), Cisneros-Fontanals Foundation, Miami, USA (2015); Memory Leak: Views from Between Archiving and Memory, La Capella Barcelona, Spain (2015); the 29th Bienal Internacional da Arte de São Paulo, São Paulo, Brazil (2010), as well as multiple participations at the Transmediale Festival, Berlin, Germany (2005, 2007, 2009).